Welcome to TWIB’s Weekly Top 10 Videos. This is a segment where we look at some exceptional visuals from various acts around the globe. The music video format has been around for decades, through the 90s and 2000s, and it has taken flight from multi-million budget music videos to mid to low-budget videos with exceptional features. In this section, we will not discriminate but highlight some creative visuals that pop up on our radar.
Again, we promise to bring you the best from high to low budget, to animated to DIY and first and foremost, the most creative visuals we can source.

Read on the previous editions HERE.

 

 

 

 

 

 

Kingdom Kome x Onaje Jordan – “When The Metal Hits”

Prolific lyricist Kingdom Kome and producer Onaje Jordan team up for this new no-holds-barred cut, “When The Metal Hits.” Bolsytered by Jordan’s menacing string chops, urgent brass stanbs and subtle cinematic effects, Kingdom Kome aims for the jugular with raw, unfiltered bars laced with darts and razors. The visuals bring the song to life with energetic performance shots and visual effects that punctuate the vivid lyricism. The track is the lead offering from Kingdom Kome and Onjae Jordan’s forthcoming second collaborative album, Alchemy II, set to drop on 3/28. Two years after the release of the first edition.

 

Marvillous Beats – “Didn’t Cha Know – Violin Cover (Erykah Badu Cover)”

 

Prolific Violinist/music producer Marvillous Beats unveils the visuals for his “Didn’t Cha Know – Violin Cover (Erykah Badu Cover).” The brilliant rendition has all the elements of soul and the attributes of the original, with the legendary soulful sample interpolated alongside the producer’s rich violin strings, which act as Erykah’s lead melody. The visual is shot by @EyeOfTheLama, who blends performance shots of the producer alongside the cinematic cityscapes. “Didn’t Cha Know – Violin Cover” is from Marvillous Beats’s new violin cover album, MAESTRO FINESSE 2.

 

 

NEE-SHA – “Intervene” (feat. q-IZI)

 

NEE-SHA‘s “Intervene” featuring q-IZI is a powerful anthem that preaches solidarity and the power of womanhood against domestic violence. It was released on International Women’s Day 2025 as part of the day’s celebration, and even with its sullen and moody topic, the result is an uplifting and aspirational piece that aims to empower women going through domestic violence, reminding them of their worth. Over a solemn, string-driven backdrop, the emcee shares vivid tales of different characters entangled in their respective web of violence and the net result of not looking away. The visual concept by director Katharina Simunic is quite engaging and brings the story to life with well-crafted set-pieces.

 

 

Puma June – “Love Comes & Goes”

Toronto-based artist Puma June unveils this powerful self-love anthem titled “Love Comes & Goes.” The heartfelt ballad focuses on the concept of biological limitations, fleeting time, self-love and how they are all interconnected. Backed by a soothing piano arrangement that slowly soars, Puma June pours her every fibre on wax as she reflects on her personal experiences with health challenges, loneliness, and those struggles people rarely speak about.

The accompanying music video explores the song from a different and positive perspective, celebrating the 100th birthday of “Nonna” Bernita Smith, the grandmother of director Arden Grier. Nonna turns 100 on International Women’s Day and has been an activist and singer throughout her lifetime. The video shifts the lyrics’ meaning to self-love/joy in aging and fighting the rhetoric that women’s value depletes as we age. Though bodies and abilities change, worth remains fixed.

“Love Comes & Goes” is the lead single from Puma June’s debut A Woman That They Want EP.

 

 

 

RYN SCOTT – “Just Human”.

 

RYN SCOTT‘s “Just Human” is a candid look at the flaws we all carry and sometimes conceal from the world. The track was produced by Jake Bass and Grammy/Oscar winner Jeff Bass, who lace SCOTT with an energetic but reflective backdrop comprising soothing piano riffs and punchy drums. The track also gets a boost with the visuals that capture RYN SCOTT’s life throughout the years as a kid, a young adult and a young man trying to make his way in a cold world.

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Jalen Frazier – “Made Men”.

Super lyricist Jalen Frazier steps up with the performance-based visuals for his new single “Made Men.” Over a vocal sample soundscape with hushed grooves, Jalen Frazier takes us deep into the dark side of the city where anywrong move could be fatal. Director Christopher Hoffman helps bring the song to life with a visual that captures the rapper i hiselement and his environment at large.

The song is taken from Jalen Frazier’s latest collaborative project ALL LOVE UNTIL ITS NOT with producer circa 97.

 

 

 

Jordan Hawkins – “Crazy”

Multi-faceted singer/songwriter/musician Jordan Hawkins showcases his song “Crazy” on Radar Radio.  The track is a bend of modern R&B with alternative rock elements. From the rousing electric guitars, downtempo but punchy drums, and his charismatic and soul-stirring vocal performance, viewers get a whiff of what Jordan Hawkins has to offer with his unique musical style.

 

 

Sirens of Lesbos – “Room 333” ft Zacari

Swiss duo Sirens Of Lesbos team up with US-based rapper Zacari for their latest release “Room 333.”  The track fuses future R&B elements with punchy grooves, edgy synth arrangements and sultry melodic performances that range from falsetto to sing-rapping. The visuals blend performance shots of the trio and a parallel storyline that details blossoming love.

Fronted by sisters Jasmina and Nabyla Serag, Sirens Of Lesbos are preparing to release their new album i got a song, it’s gonna make us millions on 11th April.

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Kendra Morris – “In My House”

Brooklyn-based singer-songwriter Kendra Morris enters our video playlist for the week with this brilliant concept track titled “In My House.” The pop/soul tune explores loneliness, mental clutter and the process of clearing out one’s closet before it gets out of hand. The visual style fuses retro, grainy aesthetics with a modern touch and stop motion to create a somewhat chaotic atmosphere that slowly clears out.