Welcome to TWIB’s Weekly Top 10 Videos. This segment looks at exceptional visuals from various acts around the globe. The music video format has been around for decades, from the 90s and 2000s, and has shifted from multi-million-dollar-budget music videos to mid- to low-budget videos with exceptional production values. In this section, we will not discriminate but highlight some creative visuals that pop up on our radar.
Again, we promise to bring you the best from high to low budget, to animated to DIY and first and foremost, the most creative visuals we can source.
Read on the previous editions HERE.
TaReef KnockOut – “CONUNDRUM”.
TaReef KnockOut returns to the forefront with a new single, “CONUNDRUM.” The track explores themes of duality, growth and the pressures of life while chasing dreams. Over a soulful voca-sampled backdrop, TaReef runs through his thoughts as he tries to find purpose while navigating distractions and setbacks. The track is accompanied by visuals directed and shot by ChuChito in Tropicana Field in St. Petersburg, FL. Here, they use a blend of performance shots with cut scenes that match the rapper’s reflective lyrics.
Black Sherif – “Find A Way”.
Ghanaian superstar Black Sherif delivers this uplifting anthem, “Find A Way,” to celebrate Ghana’s participation in the current FIFA World Cup. Against a mid-tempo backdrop ripe with lush guitars, hypnotic percussions and warm pads, Black Sherif talks passionately about the power of perseverance, faith and community. The track’s visuals take viewers deep into the heart of Ghana, highlighting the everyday man, and celebrates their lives as they stand tall with their heads high.
Thee Sinseers – “Let’s Fall In Love (Again)”
East Los Angeles Chicano-soul band Thee Sinseers return with “Let’s Fall In Love (Again),” a reflective ballad about forgiveness while taking accountability for past mistakes. The track’s musical arrangement is dynamic in every corner: güiro, triangle, and vibraslap weave together like great memories while the backing harmonies introduce a distinct classic warmth from yesteryears. The visuals continue the band’s cinematic themes as we get thrown into a hall party set in the 50s, and the story plays out with vividness.
“Let’s Fall In Love (Again)” is taken from Love Stories, the band’s forthcoming album due September 18.
Elzzz x Fred again.. x Travy – – “DID IT AGAIN”
“DID IT AGAIN” is a collaboration from Irish rap trailblazers Elzzz, Fred again.. and Travy, who are bringing something new to the game. The track created during a Twitch stream hosted by Fred last year became a fan favourite. This led to the trio performing it in Dublin in front of 8,000 fans at RDS Simmonscourt, and it’s only right that they give it the proper visual treatment. The anthemic tune sees the trio in their element over a hard-hitting, pulsating backdrop with moody textures and ominous synths. Reminding folks how they stay consistent and hungry, the visual is crafted to match their energies with fast-paced cut scenes and scenic set pieces that highlight the trio’s trajectory.
K-Trap, Young Adz – “CAN’T SAY NO”
K-Trap connects with longtime collaborator Young Adz for “CAN’T SAY NO,” a heartfelt track that blends lush R&B melodies with expressive rap flows. Here, K-Trap reflects on a blossoming relationship shaped by loyalty, support and emotional intelligence. The visual style captures the duo’s distinctive styles and showcases exactly their preferences.
MONJOLA – “WEIGHT ON ME”
Irish alternative artist Monjola returns with “WEIGHT ON ME,” a reflective piece that highlights his vulnerabilities as he regrets a past relationship. The production is warm and soulful, and Monjola’s emotionally charged performance is punctuated by relatable songwriting that deals with heartbreak and longing. The accompanying visuals match the emotional turbulence of the song, and we find Monjola pouring his heart out on a long car ride.
Kosha Dillz – “Parade (Knicks Anthem 2026)”
NY emcee Kosha Dillz pays homage to the NBA team The Knicks in the aptly titled cut “Parade (Knicks Anthem 2026).” The track was shot and recorded for a Knicks contest, and from the looks of it, it has gained a new life on its own. Now with the Knicks as the newly crowned NAB champions, the track fits right in and helps continue the celebration. The production has a contemporary vibe with a mid 2000s party energy, which is perfect for Kosha Dillz’s playful and vivid lyricism.
